Things have been blooming for Hiatt in a big way lately. In 2017, she released Trinity Lane, a commercial and critical breakout that helped establish her as one of the leading voices to emerge from the embarrassment of musical riches that is East Nashville. Produced by Shovel & Rope’s Michael Trent, the record earned Hiatt dates with the likes of John Prine, Margo Price, Drive-By Truckers, and Hiss Golden Messenger among others, and helped her secure festival slots everywhere from Pilgrimage and High Water to Luck Reunion and Wildwood Revival.
As rewarding as the album’s success was, the collection came from an emotionally challenging place, and Hiatt found herself frequently revisiting the hurt and struggle that inspired it. Rather than succumbing to the weight of it all, though, Hiatt managed to emerge stronger and more serene from the experience.
By the time she headed into Parish’s Nashville studio in May of 2020, Hiatt had piled up more than twenty-five new songs, and with the producer’s help, she pared it down to a tight and cohesive eleven. After capturing the core performances live with her band over the course of roughly a week, Hiatt devoted the early part of the summer to finishing touches, which included contributions from friends like Amanda Shires and Aaron Lee Tasjan along with a guest appearance from her father, legendary songwriter John Hiatt, who joins his daughter on record for the first time here.
“The energy was electric in the studio,” says Hiatt. “Lincoln’s a very intuitive person, and the sessions just felt like a bunch of old friends getting together. We developed a sense of trust early on that made everything totally comfortable and effortless.”
Though the record does indeed grapple with hard times, it also makes plenty of room for joy and gratitude, and it stands undoubtedly as the most upbeat and optimistic work in Hiatt’s catalog. The breezy “Candy Lunch” finds comfort in accepting what lies beyond our control, while the searing “P-Town” responds to a bad day with wry humour and resilience, and the slinky “Little Believer” revels in the ecstasy of new love. It’s perhaps the bare-bones title track, though, that encapsulates the album’s spirit best, as Hiatt offers a lilting refrain full of empathy and faith: “I could tell you that it’s easy, but that wouldn’t be the truth / If you ever need to call me, well you know there’s walking proof.”
With Walking Proof, Hiatt has crafted a roadmap to share with the rest of us.
|September 10||The Ginger Agency Marquee Stage at the Playhouse||7:00PM|
7:30PM The Hypos Trio
8:45PM Lilly Hiatt